Bio

Mezzo soprano, Tiffany Carmel spends much of her time between Los Angeles and San Diego.

Milliner in Der Rosenkavalier

From 2005-2007, she toured Southern California with the San Diego Opera Ensemble where she premiered the role of Evilina in an original production of The Sleeping Beauty. During her artist's residency, she also sang the role of the Second Peasant in San Diego Opera's main stage production of Le Nozze di Figaro. After a brief hiatus and publishing two fantasy novels, Tiffany returned to the SDOpera stage in 2011 where she performed the roles of the Milliner in Der Rosenkavalier and one of the soloist handmaidens in Turandot. Some other selected highlights throughout Ms. Carmel's career include Suzuki (Madama Butterfly), Flora (La Traviata), La Principessa (Suor Angelica), Mercedes (Carmen), Third Lady (Die Zauberfloete), Nicklausse (Les Contes d'Hoffmann), and the title role in L'Enfant et les Sortileges. Her oratorio credits include Verdi's Requiem, Mendelssohn's Elijah, and Beethoven's Missa Solemnis with Pacific Palisades Symphony. Recently, she sang Mozart's Requiem with the Mountainside Master Chorale.

In addition to singing in nearly forty productions as a core chorister with San Diego Opera, Ms. Carmel has performed with Long Beach Opera and with the production DoJump! at the renowned Geffen Playhouse. She has also added her vocal talents to a wide variety of programs while touring Japan with the Roger Wagner Chorale.

At the other end of the musical spectrum, Ms. Carmel sang with Christina Aguilera at the 2004 Grammy Awards for Ms. Aguilera's award winning song Beautiful. A current CD of original music composed by Tracy Bartelle and featuring Tiffany has been released internationally through Fable Music (BMI).

Ms. Carmel holds a Master of Fine Arts degree in classical vocal performance from California Institute of the Arts (CalArts).

Arias

SOLOIST REPERTOIRE for OPERA

SOLOIST REPERTOIRE for ORATORIO and CONCERT

ENSEMBLE and OUTREACH

SAN DIEGO OPERA ENSEMBLE; 2005-2007

SELECTED CHORAL HIGHLIGHTS

ROGER WAGNER CHORALE (concert tours to Japan); 1998 - 2008

SAN DIEGO OPERA (Core);

Don Pasquale; 2012
Turandot, Der Rosenkavalier, Faust, Carmen; 2011
La Bohème, Nabucco, Romeo and Juliet, La Traviata; 2010
Boris Godunov, Samson and Delilah, Il Trovatore, Wozzeck (Berg), Marriage of Figaro; 2006-2007
Lucia di Lammermoor, Carmen, Julius Caesar in Egypt, Magic Flute; 2005-2006
Turandot, Pearl Fishers, Don Carlo, Katya Kabanova, La Traviata; 2003-2004
Fidelio, Norma, Otello, Madama Butterfly; 2002-2003
Ariodante, Tosca, Don Pasquale, Flying Dutchman; 2001-2002
Magic Flute, Faust, Cold Sassy Tree, Idomeneo, Aida, Verdi’s Requiem (concert); 2000-2001

EDUCATION

Vocal studies with: Gabriel Reoyo-Pazos, Dennis Rupp, Kathleen Roland, Kimball Wheeler, Jacqui Bobak.
Degree: Master of Fine Arts from CalArts; 1997
Degree: Bachelor of Fine Arts from CalArts; 1995

Remix concepts: Tiffany Carmel

Music and Mr. Reznor’s vocals have been utilized without consent and subject to copyright by the original owners.

Currently, I have eight tracks available for your free listening and downloadable pleasure on the official Nine Inch Nails remix page.  These tracks have been produced solely for enjoyment and are not intended for commercial use.  Each track title is linked directly to the song on the NIN remix website.  Please be aware that nin.com offers an extensive list of remixes submitted by thousands of users/members.  When you have finished listening to my track(s), the site will automatically continue playing another remix from the list, but most likely that next track will not be one of my contributions.  The female vocals specifically limited to my tracks were written and sung by me.  For those of you who are interested in checking out my rather obsessive little hobby, sharing the links falls in compliance with the Terms of Use/Services for User Supplied Content (nin.com “Non-Entity Corp.”).  By clicking on the links below, you will navigate away from this website and thus, subject to the Terms of Use/Services established by nin.com/Non-Entity Corp.  Thank you for listening.

• Gone, Still Nothing

  Ripped from the original recording of "Gone, Still" from Still by NIN

• Not the Same

  Ripped from the original recording of "The Same As All The Others" from The Girl with the Dragon Tattoo soundtrack by Trent Reznor and Atticus Ross

• Ghosts of All That Could Have Been (Explicit)

  Ripped from the original recordings of "28 Ghosts IV" from Ghosts and "And All That Could Have Been" from Still by NIN

• Ghosts of a Lonely Child

  Ripped from the original recording of "36 Ghosts IV" from Ghosts by NIN (which coincidentally, on this particular track, also happens to be Trent Reznor and Atticus Ross)

• Leaving Hope - Siren's Edit

  Ripped from the original recording of "Leaving Hope" from Still, with additional excerpts from "Help Me I Am In Hell" from Broken and "The Greater Good" from Year Zero by NIN. Unlike my other tracks, I used the melody established by Mr. Reznor for my vocals. I merely supplied the lyrics.

• A Thousand Excuses (Explicit)

  Ripped from the original recording of "A Thousand Details" from The Girl with the Dragon Tattoo soundtrack by Trent Reznor and Atticus Ross, with an additional excerpt from "Complications of the Flesh" (Halo 15) by NIN

• The Gentle Hum of Toxicity

  Ripped from the original recording of "The Gentle Hum of Anxiety" from The Social Network soundtrack by Trent Reznor and Atticus Ross, with additional excerpts from the original recordings of "The Perfect Drug" (Lost Highway soundtrack), "The New Flesh" and "Complications of the Flesh" (Halo 15) by NIN

• What If...?

  Ripped from the original recording of "What If We Could?" from The Girl with the Dragon Tattoo soundtrack by Trent Reznor and Atticus Ross

• NIN Official Remix Page - Crimson Siren